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8 January 1836 – 25 June 1912. Most renowned painters.

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Workshop of Michele Marieschi
The Rialto Bridge from the Riva del Vin

ID: 97752

Workshop of Michele Marieschi The Rialto Bridge from the Riva del Vin
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Workshop of Michele Marieschi The Rialto Bridge from the Riva del Vin


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Workshop of Michele Marieschi

painted Fantastic landscape with ruins in 1730s   Related Paintings of Workshop of Michele Marieschi :. | Red Chinese Vase | Young man in reverie | The Preaching of Saint John the Baptist | The Adoracion al Nino | Seascape, boats, ships and warships. 72 |
Related Artists:
Antonio Ciseri
(October 25, 1821 ?C March 8, 1891) was a Swiss painter of religious subjects. Ciseri was born in Ronco sopra Ascona in the canton of Ticino in Switzerland. In 1833 he moved with his father to Florence. He was admitted in 1834 to the Accademia di Belle Arti, where he trained under Niccola Benvenuti. In 1849, he began offering instruction to young painters, and eventually ran a private art school. Among his earliest students was Silvestro Lega.[1] Ciseri's religious paintings are Raphaelesque in their compositional outlines and their polished surfaces, but are nearly photographic in effect. He fulfilled many important commissions from churches in Italy and Switzerland. Ciseri also painted a significant number of portraits. He died in Florence on March 8, 1891.
Sebastiano del Piombo
1485-1547 Italian Sebastiano del Piombo Galleries Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.
Carlo Pittara
Italian, 1836-1890






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